This changed today – because I was procrastrinating, trying to evade working on a paper that I have to finish very soon, and because of mentioning this feature of CSS to Tini a few days ago, I wanted to see how hard it is to implement.
#Idive chicago code
I knew about this almost since my first dabblings in CSS, but I never collected enough guts to actually write the code for my site. screens, printed paper, sound, braille thingies for blind people, mobile phones etc.). Behind the scenes, this is based on good CSS code, which offers hooks to change layout and other features of your content according to the media that is used to access the content on your page (i.e. Of course, I wanted to implement this for my website too. Very nice and all that without having to click on some kind of go here to see the printer friendly version link. It was perfectly suited to reading on a piece of paper, had the aduquate kind of information and ditched web-specific layout aspects. The print had a different layout than the website. While I was on vacation in France this summer I printed Wikipedia content for the first time. Nonetheless, I remain skeptical about the whole kill splatter shoot die moan guts-flying-around issue – my non-spilled guts tell me to… The use of colors other than red for blood, the obvious non-realism of the massive amount of injuries sustained by the protagonists and the whole mystic and dark atmosphere made dealing with the violence easier for me. From my perspective, the violence in Sin City wasn’t too bad I found it less disconcerting than the comic sequence in Kill Bill vol. However, I do have one problem with the comic market which definitely moves into focus when watching Sin City as a movie: the aggressive depiction of violence. One of the few must have reads that I would recommend to anyone.) (If you haven’t done so until now, you definitely have to read Scott McCloud’s Understanding Comics, which is also translated into German. Comics are one of my favorite media – the story telling possiblities offered by putting pictures into sequences are stunning. It is the best comic adaption that I have seen so far. Tags: AAG, materiality, phenomenology, presentation, railway, space, terminal, thingĪbout a month ago I saw Sin City – impressive pictures, super soundtrack and excellent actors that blend into the the dark and gritty world of Frank Miller’s Sin City perfectly. Terminals with their ticket selling counters, their shops and waiting facilities are places of a distinct phenomenologically accessible materiality this paper will get involved in this materiality, tracing the relations between people, things, and socio-spatial constellations to understand how the rule of a certain normality is established in terminals and when and how it is destabilized. Artifacts like the ticket selling machine or the materiality of a revolving door can break established routines thereby opening spaces for play or interaction with others.
Sometimes, these exchanges do not unfold as planned, irritations arise and expectations are thwarted causing a reordering of conduct.
Detailed analysis of digital video recordings allows insight into the brief exchanges between men, women and artifacts.
Following is my abstract for the session Ordering / Disordering Space and Matter of the 2006 Meeting of the AAG, March 7-11, Chicago, Illinois.īased on ethnographic research in railway stations and passenger terminals for ferries, this paper wedges itself between people and the things they encounter.
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